Bob Ross Oil Painting Technique – Frequently Asked Questions

The following is an inventory of ceaselessly requested questions in regards to the BOB ROSS Oil Painting Technique and a few instruction in regards to the use and care of the supplies.

BLENDING:

This method refers back to the softening of arduous edges and most seen brush strokes by mixing the moist oil paint on the canvas with a clear, dry brush. In mixing, an already painted space is brushed very calmly with criss-cross strokes or by gently tapping with the nook of the comb. This provides colours a tender and pure look. Not all oil paints are appropriate for this method – most are too tender and have a tendency to smear. Only a thick, agency paint is appropriate for this method.

MARBLING:

To combine paints to a marbled impact, place the completely different coloured paints on the blending space of your palette and use your palette knife to select up and fold the paints collectively, then pull flat. Streaks of every shade ought to be seen within the combination. Do not over combine.

THINNING PAINTS FOR ADDING HIGHLIGHTS:

When mixing paints for utility over thicker paints already on the canvas, particularly when including spotlight colours, skinny the paint with LIQUID WHITE, LIQUID CLEAR or ODORLESS THINNER. The rule to recollect right here is {that a} skinny paint will follow a thicker paint.

CLEANING AND DRYING THE BRUSHES:

Painting with the moist on moist method requires frequent and thorough cleansing of your brushes with paint thinner. An empty one pound espresso can is good to carry the thinner, or use any container roughly 5″ in diameter and at-least 6″ deep. Place a Bob Ross Screen within the backside of the can and fill with odorless thinner roughly 1″ above the screen. Scrub the brushes bristles against the screen to remove paint sediments which will settle on the bottom of the can.

Dry your larger brushes by carefully squeezing them against the inside of the coffee can, then slapping the bristles against a brush beater rack mounted inside of a tall kitchen trash basket to remove the remainder of the thinner. Smaller brushes can be cleaned by wiping them with paper towel or a rag (I highly recommend using Viva paper towels because they are very absorbent). Do not return the brushes to their plastic bags after use, this will cause the bristles to become limp. Never clean your Bob Ross brushes with soap and water or detergent as this will destroy the natural strength of the bristles. Store your brushes with bristles up or lying flat.

APPLYING LIQUID WHITE:

Use the 2″ brush with lengthy, agency vertical and horizontal strokes throughout the canvas. The coat of Liquid WHITE ought to be very, very skinny and even. Apply simply earlier than you start to color. Do not permit the paint to dry earlier than you start.

PLACEMENT OF OIL COLORS ON THE PALETTE:

I counsel utilizing a palette a minimum of 16″x20″ in measurement. Try arranging the colours across the outer fringe of your palette from gentle to darkish. Leave the middle of the palette for mixing your paints.

LOADING YOUR BRUSH:

To totally load the within bristles of your brush first maintain it perpendicular to the palette and work the bristles into the pile of paint. Then holding the comb at a 45 diploma angle, drag the comb throughout your palette and away from the pile of paint. Flipping your brush back and forth will insure either side will probably be loaded evenly.

(NOTE: When the bristles come to a chiseled or sharp flat edge, the comb is loaded appropriately.)

For some strokes you might have considered trying the top of your brush to be rounded. To do that, stand the comb vertically on the palette. Firmly pull towards you working the comb in a single route. Lift off the palette with every stroke. This will are inclined to spherical off the top of the comb, paint with the rounded find yourself.

MIXING FOR HIGHLIGHTS:

Place the tip of your brush into the can of LIQUID WHITE, LIQUID CLEAR or ODORLESS THINNER permit solely a small quantity of medium to stay on the bristles. Load your brush by gently dragging it by way of the spotlight colours, repeat as wanted. Gently faucet the bristles towards the palette simply sufficient to open up the bristles and loosen the paint.

LOADING THE PALETTE KNIFE:

With your palette knife, pull the combination of paint in a skinny layer down throughout the palette. Holding your knife in a straight upward place, pull the lengthy working fringe of your knife diagonally throughout the paint. This will create a roll of paint in your knife.

WHAT IF I HAVE NEVER PAINTED BEFORE?

There aren’t any nice mysteries to portray. You want solely the will, a couple of primary strategies and somewhat observe. lf you’re new to this method, I strongly counsel that you just learn all the part on “TIPS AND TECHNIQUES” previous to beginning your first portray. Consider every portray you create as a studying expertise. Add your individual particular contact and concepts to every portray you do and your confidence in addition to your potential will enhance at an unbelievable charge.

WHAT PAINT SHOULD I USE?

The BOB ROSS strategy of portray depends upon a particular agency oil paint for the bottom colours. Colors which might be used primarily for highlights (Yellows) are manufactured to a thinner consistency for simpler mixing and utility. The use of correct gear helps guarantee the absolute best outcomes.

Liquid Clear is a very thrilling ingredient for moist-on-moist portray. Like Liquid White/Black, it creates the required easy and slippery floor. Additionally, Liquid Clear has the benefit of not diluting the depth of different colours particularly the darks that are so essential in portray seascapes. Remember to use Liquid Clear very sparingly! The tendency is to use bigger quantities than crucial as a result of it’s so troublesome to see.

13 colours we use are listed under:

*Alizarin Crimson

*Sap Green, Bright Red

*Dark Sienna

*Pthalo Green

Cadmium Yellow

Titanium White,

*Pthalo Blue,

*Indian Yellow

*Van Dyke

Brown

*Midnight Black

Yellow Ochre

*Prussian Blue
(*signifies colours which might be clear or semi-clear and which can be used as below paints the place transparency is required.)

HOW DO I MIX COLORS?

The mixing of colours could be one of the rewarding and enjoyable components of portray, however may be one of the feared procedures. Devote a while to mixing numerous shade combos and develop into acquainted with the essential shade mixtures. Study the colours in nature and observe duplicating the colours you see round you every day. Within a really quick time you may be so snug mixing colours that you’ll stay up for every portray as a brand new problem.

SHOULD YOU USE JUST ANY ART PRODUCT FOR THIS METHOD OF PAINTING?

Possibly the #1 downside skilled by people when first trying this method and the key trigger for disappointment revolves round the usage of merchandise designed for different types of portray or supplies not designed for art work in any respect (i.e. home portray brushes, skinny soupy paints, and so on.).

All of the work for this method had been created utilizing Bob Ross paints, brushes and palette knives. To obtain the perfect outcomes out of your efforts, I strongly advocate that you just use solely merchandise designed particularly to be used with the Bob Ross moist-on-moist method.

HOW LONG WILL IT TAKE MY PAINTING TO DRY?

Drying time will range relying on quite a few elements corresponding to warmth, humidity, thickness of paint, portray floor, model of paint used, mediums used with the paint, and so on. Another issue is the person colours used. Different colours have completely different drying instances (i.e., usually Blue will dry very quick whereas colours like Red, White and Yellow are very gradual drying). An excellent common time for an oil portray to dry, when painted on this method, is roughly one week.

SHOULD I VARNISH MY PAINTINGS?

Varnishing a portray will defend it from the weather. It can even assist to maintain the colours extra vibrant. lf you determine to varnish your portray, I advised that you just wait a minimum of six months. It takes this lengthy for an oil portray to be utterly cured. Use an excellent high quality, non-yellowing image varnish spray. I personally spray my work after about four weeks and haven’t had any issues.

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Source by Gerald Scott

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